| Jem ZR33 Hi-Mass™ (Discontinued) | ||||||||||
| La ZR33 Hi-Mass es una unidad generadora de efectos atmosféricos potente e instantánea para grandes clubes, producciones escenográficas, compañías de alquiler y aplicaciones industriales. | ||||||||||
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This new portable/installation fog machine requires only 1500 watts to produce a massive 1000 cubic meters of dense fog per minute. And a huge 9.5 liter fluid capacity ensures longer operation without refilling. A newly developed Hi-Mass Vaporizing System guarantees extreme output for longer periods while Jem's Electronic Pump Ramping System ensures a continuous flow of dry, white fog. 9 smooth steps for fog output allows for precise atmospheric control. DMX 512 control and multifunctional timer remote with multi-machine analogue link capability are standard. In addition, a heavy-duty hanging bracket is fitted as standard to facilitate easy installation in any type of venue. Clubs and discotheques will love the ZR 33’s extreme reliability, easy installation and large fluid capacity. Stage productions will appreciate its precise effect generation capabilities, smooth level control and quiet operation on low output levels. Rental companies will value the on-board remote storage, high performance and easy maintenance characteristics. Create a greater accuracy of fog placement with the ZR ducting system. Available as an accessory to the whole ZR family, the ducting extension ensures uniformity and coverage in any environment. |
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| Fluids used in this product | ||||||||||
i-fog
i-fog is not only kind to your lights, but is also more economical to use thanks to its incredible long “hang time” characteristics. In environments unaffected by extraction and air-conditioning, i-fog can be expected to last 30% longer. In fact it is essential that all autotimer programmed foggers be adjusted to lower output, shorter duration and longer delays in repeat firing, to avoid atmospheric saturation.
i-fog
i-fog is not only kind to your lights, but is also more economical to use thanks to its incredible long “hang time” characteristics. In environments unaffected by extraction and air-conditioning, i-fog can be expected to last 30% longer. In fact it is essential that all autotimer programmed foggers be adjusted to lower output, shorter duration and longer delays in repeat firing, to avoid atmospheric saturation.
i-fog
i-fog is not only kind to your lights, but is also more economical to use thanks to its incredible long “hang time” characteristics. In environments unaffected by extraction and air-conditioning, i-fog can be expected to last 30% longer. In fact it is essential that all autotimer programmed foggers be adjusted to lower output, shorter duration and longer delays in repeat firing, to avoid atmospheric saturation.
Pro Smoke High Density
The SP Mix generates a high density, white, air-born fog with a very high index of refraction and slower evaporation rate. It is well suited for scenic obscuring and strobes “white-out”.
Pro Smoke High Density
The SP Mix generates a high density, white, air-born fog with a very high index of refraction and slower evaporation rate. It is well suited for scenic obscuring and strobes “white-out”.
Pro Smoke High Density
The SP Mix generates a high density, white, air-born fog with a very high index of refraction and slower evaporation rate. It is well suited for scenic obscuring and strobes “white-out”.
Pro Smoke Studio (DX mix)
In a studio or theater environment, a lighter, faster dispersing fog is often preferred. Pro-Smoke Studio offers a less dense environment to Pro-Smoke Super and is therefore less likely to interfere with TV camera focusing.
Pro Smoke Studio (DX mix)
In a studio or theater environment, a lighter, faster dispersing fog is often preferred. Pro-Smoke Studio offers a less dense environment to Pro-Smoke Super and is therefore less likely to interfere with TV camera focusing.
Pro Smoke Studio (DX mix)
In a studio or theater environment, a lighter, faster dispersing fog is often preferred. Pro-Smoke Studio offers a less dense environment to Pro-Smoke Super and is therefore less likely to interfere with TV camera focusing.
Pro Smoke Super (ZR mix)
This industry standard fluid is the automatic choice of most users. A dense white air-born fog is produced with a medium length dispersal time. Its medium to high index of refraction makes this formula ideal for all effects.
Pro Smoke Super (ZR mix)
This industry standard fluid is the automatic choice of most users. A dense white air-born fog is produced with a medium length dispersal time. Its medium to high index of refraction makes this formula ideal for all effects.
Pro Smoke Super (ZR mix)
This industry standard fluid is the automatic choice of most users. A dense white air-born fog is produced with a medium length dispersal time. Its medium to high index of refraction makes this formula ideal for all effects.
Regular DJ Fluid (DJ mix)
This specially formulated economy mix is perfect for medium density, air-born fog effects. It is particularly well suited for the Magnum 550 and 800.
Regular DJ Fluid (DJ mix)
This specially formulated economy mix is perfect for medium density, air-born fog effects. It is particularly well suited for the Magnum 550 and 800.
Regular DJ Fluid (DJ mix)
This specially formulated economy mix is perfect for medium density, air-born fog effects. It is particularly well suited for the Magnum 550 and 800.
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