The light & color engine is divided into seven full color pixels. Pixels can be focused on projection or in the beam for aerial effects. You have full color & intensity control over each pixel via DMX, or create effects via the fixture’s effects engine.
On top of DMX, Art-Net and sACN, MAC Allure fixtures can be controlled via P3. This allows a rig of multiple fixtures to deliver cohesive content that blends with video content on panels or creative LED products. Via a single data feed, switch between normal lighting & P3 control and cross fade between the two.
With an all solid state color mixing system, instant color and intensity response, 7-pixel beam technology, & P3 control, MAC Allure products are built for pixel mapping. The color palette can also be set to fully match the color space of any other P3-driven product in the rig, allowing MAC Allure products to fit in seamlessly.
The RGBW system delivers vibrant colors with a brightness only expected from much bigger fixtures. The color calibrated system excels on subtle pastels and white tones making any MAC Allure Profile in the rig match the color point when they must.
MAC Allure LED drivers run the light engines at high and precise refresh rates ensuring there is no flicker or banding on any broadcast application. And, the refresh rate can be adjusted in if cameras are possibly tweaked away from common settings.
MAC Allure fixtures save space in trucks transit and trusses, fitting nicely into smaller sets and spaces. With their compact design these fixtures are extremely easy to handle and reduce the problem of truss loading constraints. The fixture typically fits into in four unit flight cases.